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Schubert's piano works joined by Brahms' miniatures
For his series called Schubert+, pianist Can Cakmur juxtaposes the complete major piano solo compositions by the Viennese composer with works by other composers who were inspired by his music, thus providing the opportunity to see these works in a new light. While making up a near complete anthology of Schubert's completed major piano music, each disc is also intended as a selfcontained recital. In this second instalment, Cakmur performs pieces published after Schubert's death, the three Klavierstucke, D 946, which are not known to have been intended as a new series of impromptus. Since their first editor was Brahms, it seemed logical to include one of his late cycle of miniatures, here the Vier Klavierstucke, Op. 119. The pieces by Schubert and Brahms share a spontaneity, even an apparent lightness, that often conceals an unsuspected depth beneath the surface. The programme concludes with the Four Impromptus, D 935, an ambitious cycle also published after Schubert's death. Schubert's name would become closely associated with this genre, often characterised by a lyrical melody and a free-flowing structure, with a sense of spontaneity. With it, Schubert seems to have found an ideal setting for the expression of his genius.
SACD曲目:
Franz Schubert (1797—1828)
Impromptus, D 935/ Op. posth. 142 39'22
1) No. 1 in F minor 11'28
2) No. 2 in Aflat major 7'23
3) No. 3 in Bflat major 13'34
4) No. 4 in F minor 6'44
Johannes Brahms (1833—97)
Vier Klavierstucke, Op. 119 16'01
5) No. 1. Intermezzo in B minor 3'27
6) No. 2. Intermezzo in E minor 4'57
7) No. 3. Intermezzo in C major 1'39
8) No. 4. Rhapsody in Eflat major 5'43
Franz Schubert
Drei Klavierstucke, D 946 24'52
9) No. 1 in Eflat minor 8'20
10) No. 2 in Eflat major 11'28
11) No. 3 in C major 4'53
TT: 81'19
