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“新手畫家的工具箱”系列叢書中的一本，“新手畫家的工具箱”系列都是關於繪畫的內容，説明繪畫愛好者學習如何完美創作繪畫作品。本書主要介紹在顏料畫的繪畫過程中需要用到的各種知識和實踐技巧，包括選擇畫筆和顏料、調色、實用工具及其靈活運用等，尤其適合新手畫家作為入門手冊和選擇顏料畫的工具與材料的參考。
在顏料畫的工具與材料中，新手畫家將發現畫筆樣式、大小、形狀和類型的重要差異，如何使用每種畫筆創建不同類型的筆觸，以及不同類型的刷子如何與各種顏料和輔助物相互作用。
新手畫家將學習如何用顏料正確蘸滿畫筆，如何塑造畫筆以塑造特定的筆觸和效果，何時選擇合成毛髮做成的筆刷而不是天然毛髮的等等。經驗豐富的藝術指導專注於使用特定工具、材料和媒介的關鍵概念和實踐方面，為幫助那些尋求學習顏料畫基礎知識的人提供完整的理解。
本書主要分5個章節，第一章是“畫室與儲存間”，在創作顏料畫之前，一間適合自己的畫室，一間精心整理過的個性化儲存間，將是你能夠有效創作滿意的顏料畫作品及妥善儲存作品的前提；第二章“顏料和媒介劑”中，藝術家提供了充分的畫材建議，多種顏料和媒介劑的屬性和效果，及其互相作用等，新手畫家將在本章獲得系統和專業的指導；第三章“畫筆和技法”則介紹了顏料畫的另外一項重要畫材——畫筆，不同的畫筆與不同的顏料搭配，將展示出完全不同的效果；第四章“繪畫的基本概念”，在前幾章充分介紹了繪畫的儲存環境和畫材後，本章開始講述如何創作作品，從選擇顏色、畫素描草稿到展現不同效果的技法，本章都將詳細解讀；最後一章“繪畫示範”以多位藝術家的繪畫成品作為示例，進行分步驟解讀，為新手畫家展示一幅完整的顏料畫作品是如何從草稿一步一步變成色彩豐富，層次分明的完成品的，我們特意選取了採用不同種類顏料的繪畫成品，如水彩畫、丙烯畫、油畫等，也有結合多種材料創作的範例，新手畫家可以跟隨藝術家的分步驟圖解，完成自己的創意顏料畫！
沃爾特·福斯特創意團隊是藝術指導中最知名的團隊之一。沃爾特·福斯特頭銜中的永恆繪畫和繪畫技巧幫助世界各地的人們展現他們的藝術才華。從傳統的鉛筆素描和丙烯酸，油畫和水彩畫，到混合媒體，手工刻字和DIY製作，沃爾特·福斯特創意團隊為現代藝術家開發了一個完整的標題庫。
引言 ··································································································4
藝術家介紹 ······················································································5
第一章：畫室與儲存間 ·································································7
畫架和工作臺 ··················································································8
工具與設備的收納 ········································································ 10
照明 ································································································ 12
舒適 ································································································ 12
畫室的安全性 ················································································ 13
第二章：顏料和媒介劑 ······························································· 15
水彩 ································································································ 16
丙烯 ································································································ 22
油畫 ································································································ 30
其他顏料 ························································································ 38
綜合材料 ························································································ 39
色素 ································································································ 42
第三章：畫筆和技法 ··································································· 49
畫筆筆毛類型 ················································································ 50
畫筆尺寸和結構解析 ···································································· 51
畫筆筆頭形狀 ················································································ 52
畫筆的使用技巧 ············································································ 60
其他技巧 ························································································ 68
第四章：繪畫的基本概念 ··························································· 75
色彩理論 ························································································ 76
調色 ································································································ 78
線條畫的方法 ················································································ 80
色彩畫的方法 ················································································ 82
第五章：繪畫示範 ······································································· 89
渲染晚霞 ························································································ 90
描繪水中的倒影 ············································································ 92
用陰影塑形 ···················································································· 96
使用底層色 ··················································································· 100
描繪風景 ······················································································· 104
做一把吉他 ··················································································· 110
結語 ······························································································· 112
