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基於語料庫語言學的理論和實踐，綜合運用敘述學、文體學和心理學的相關理論來研究福克納的作品，探索建立文學與交叉學科介面的研究模式與操作範例。並且借鑒了國內外語料庫研究的成果，尤其是語言學和翻譯學的成功案例。
前言
Chapter I Introduction
1．1 A Critical Review of the Snopes Trilogy
1．2 A Theoretical Overview of Deconstruction
1．3 The Popic and Task of the Dissertation
Chapter II The Hamlet：SignificatioiMotion
2．1 SignificatioiMotion： Saussure Deconstructed
2．2 Intrasemiotic Motion： Diff~rance iThe Hamlet
2．3 Intersemiotic Motion： Supplement iThe Hamlet
2．4 Transsemiotic Motion： Rhetoricity iThe Hamlet
Chapter III The Tow： Text iDissemination
3．1 Disseminatioand Text
3．2 Intertextual Dissemination： The Towand its Yoknapatawpha sisters
3．3 Intratextual DisseminatioiThe Town
3．4 Extratextual Dissemination： The Towand Its Allusions
Chapter IV The Mansio： Existence After Subversion
4．1 Existence ia Subverted World
4．2 Mink's Subversioof " the Old Moster" and"them-they-it"
4．3 Linda's Subversioof Her Generalissimos
4．4 Flem's Subversioof His OwExistence
Chapter V Conclusion
Bibliography
Acknowledgements
Appendix I The Family Genealogy of the Snopeses
Appendix II Faulkner Research iChina： Retrospects and Prospects
Appendix III The Sound and the Fury： Three Selves and Four Orders
Appendix IV Structural Aesthetics of the Stream-of-Consciousness
Fiction： A Case Study o"The Mark othe Wall"
Appendix V A Corpus-Based Research oFaulkner's Works
